Dear Will Smith: You’re a naturally likable guy. That’s why you’re one of the biggest movie stars in the world — because people like you. So why in the world would you want to appear in a movie in which you’re so not likable — especially in a disaster like HANCOCK?
It’s easy enough to mock Ben Affleck after the downward trajectory into ridiculousness his career took, especially between 2002 and 2005 when he was conceptually inseparable from Jennifer Lopez and made a tremendous number of terrible, terrible movies. But I’m not going to mock him now: his directorial debut, Gone Baby Gone (for [...]
If I were to take the time and figure out a list of my most very favorite movies of the 1980s, four John Hughes movies would be on said list. Four more would be on a further list of “not my faves but movies I really liked.”
The darkness that began seeping into the Harry Potter series of films with HARRY POTTER AND THE PRISONER OF AZKABAN continues to progressively deepen: never has the sense of menace felt as strong as it does in HARRY POTTER AND THE HALF-BLOOD PRINCE. The ancient halls of Hogwarts have never seemed so confining or so dangerous.
A troubled actor under house arrest for arson. A television writer juggling both creative and political concerns trying to get his show on the air. A video game designer trying to find help for his stranded wife and daughter. What do these three men have in common? Well, they’re all played by Ryan Reynolds, for one thing, but the nature of their connections is the mystery at the heart of John August’s thought-provoking but maddening THE NINES.